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announcements exhibition performance

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Now in its second year, Low Lives is a one-night exhibition of live performance-based works transmitted via the internet and projected in real time at numerous venues throughout the U.S. and around the world. Low Lives 2 will be presented as part of Fusebox Festival in partnership with Co-Lab, Austin, TX; Galeria de La Raza, San Francisco, CA; Diaspora Vibe Gallery, Miami, FL; The Temporary Space in Houston, TX; and Terminal, APSU, Clarksville, TN. Additional presenting partners T.B.A.

Low Lives examines works that critically investigate, challenge, and extend the potential of performance practice presented live through online broadcasting networks. These networks provide a new alternative and efficient medium for presenting and viewing performances. Low Lives is about not simply the presentation of performative gestures at a particular place and time but also about the transmission of these moments and what gets lost, conveyed, blurred, and reconfigured when utilizing this medium. Low Lives embraces works with a lo-fi aesthetic such as low pixel image and sound quality, contributing to a raw, DIY and sometimes voyeuristic quality in the transmission and reception of the work.

The events will be streamed live in the Department of Art’s Trahern Building on April 30th from 6:30 - 9:30 (CST).

performance

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Collaborative Performances Session 4 (3.3.10)

-Stone Jack Jones + Black & Jones
-Dust From 1000 Yrs. + Black & Jones
-Pineapple Explode + Black & Jones
-Blue Cadet Three + Black & Jones

Video and performance artist duo Black & Jones (Barry Jones and Kell Black) take on four sets of diverse music, unifying them into a cogent visual narrative. Black & Jones explore the history of cinema as visual metaphor for aural maturity. Black & Jones’ live, mutli-channel vJing uses contemporary technology to present archetypal narrative in the tradition of bildungsroman.

Session 4 is Open Lot’s fourth installment of this truly impractical collaborative experiment. A musical scattershot of touring musicians is paired up with an equally diverse group of Nashville-based visual/performance artists. Each pairing communicates only by email until the collaborative performance at Open Lot. What results is an improvisation born from necessity: quick, simple, and forcefully unadulterated.

Doors open at 8pm, performance begins at 8:30pm sharp.
$5 admission, $10 admission with open bar. BYOB allowed and encouraged.

This event occurs at Open Lot Nashville, 3.3.10

announcements

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Call for Video: Terminal’s Second Annual Short Video Festival

Terminal, the Department of Art, and The Center of Excellence for the Creative Arts at Austin Peay State University invite artists to submit short videos for consideration for inclusion in Terminal’s Second Annual Short Video Festival.

Submission Guidelines:
In an e-mail send:

a short resume
a short statement
a link to the video on the web (no more than 5 minutes in length)

Selected artists will be asked to submit their videos as NTSC formatted Hi-Resolution Quicktime and MPEG files.

E-mail submissions to jonesb@apsu.edu

Deadline
April 1, 2010

Screening
April 15, 2010

Uncategorized

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UTC Visiting Artist: Julie Lequin
Fine Arts Center Room 356
Lecture: Thursday Feb 18 4:30pm
Screenings: Friday Feb 19 1:30

www.julielequin.com

for more info,
contact: phillip-lewis@utc.edu

exhibition

Visiting Artists - Kahn & Selesnick: The Marek Visiting Artists Series presents an exhibition, lecture and week-long events with the collaborative duo of Kahn & Selesnick.  The exhibition will include Performative photography, video, and sculptural installation at the UTC Cress Gallery: Feb 2 - Mar 16.

Artists Lecture: Tues, Feb. 2, 5:30pm UTC Fine Arts Center

Gallery Opening Reception: immediately following lecture

Kahn & Selesnick will be working with both the color photography and interdisciplinary research classes within the PMA curriculum as well as connecting with the UTC and Chattanooga communities.

www.utc.edu/cressgallery
www.kahnselesnick.com

(Via UTC PHOTO + MEDIA ART.)

meeting

Stupid snow!

The FLOSS Shareshop scheduled for Jan. 28 has been cancelled due to bad weather. We will reschedule for another time.

meeting sound

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From 2 to 5 pm on January 29, Upgrade! Tennessee will be hosing a FLOSS Shareshop at the Space for New Media at Tennessee State University. Come out to learn and teach.

Visit http://www.tnstate.edu/gallery for directions.

We will also be visiting “Cheat Codes” at Vanderbilt University with a tour by the curator, Amelia Winger-Bearskin. http://www.vanderbilt.edu/arts/news.html#cheatcodes

announcements

plausible artworlds.jpgPlausible Artworlds at UTC, you are invited

Please join us for Plausible Artworlds 2010 gatherings in Chattanooga, or on the internet, every Tuesday night through April, 6PM to 8PM. If you cannot attend in person, Plausible Artworlds will be available on the internet via Skype. Plausible Artworlds is a project to collect and share knowledge about alternative models of creative practice. From alternative economies to open source culture and other social experiments, Plausible Artworlds is a platform for research and participation with artworlds that present a distinct alternative to mainstream culture.

UTC Assistant Professor Jessica Westbrook and Adjunct Professor Adam Trowbridge, as part of the Philadelphia-based group Basekamp, are collaborating in Plausible Artworlds to extend the educational outreach. In this, they are facilitating a UTC course that will intersect with the Plausible Artworlds presentations and enable students to experiment in collaborative art practice. We are inviting the community to join the class every Tuesday night in the University of Tennessee Art Department, Room 340 in the Fine Arts Center located at the corner of Vine and Palmetto.

For more information, contact: Adam Trowbridge, atrowbri@gmail.com or jessicawestbrook@utc.edu

January Schedule

Week 1 – Jan 5:
The Public School and AAAARG.org [No class or event @ UTC]

Week 2 – Jan 12:
The Library Of Radiant Optimism For Let’s Remake The World

Week 3 – Jan 19:
House Magic: The European squatted social centers movement

Week 4 – Jan 26:
Continental Drift through the Midwest Radical Cultural Corridor

Stay tuned for an upcoming monthly schedule which will be posted here on the UTC PMA blog.

About Plausible Artworlds 2010

Plausible Artworlds is a project to collect and share knowledge about alternative models of creative practice. From alternative economies to open source culture and other social experiments, Plausible Artworlds is a platform for research and participation with artworlds that present a distinct alternative to mainstream culture. On January 5th Basekamp will kick off a year of “Plausible Artworlds” potluck events happening every Tuesday night in 2010 from 6-8PM EST – both online over Skype as well as in-person at the Basekamp space in Philadelphia and at the University of Tennessee Chattanooga.
The discussions will be started each week by the invited guests whose collective practice exemplify “artworlds” that in some substantial way differ from a prevailing and more broadly accepted “Artworld”. Corresponding projects will be exhibited at Basekamp in support of these weekly discussions along with a publication to be compiled at the end of the year.

We invite artists, educators and community members to join us every Tuesday night – in person, or on Skype, skypename: ‘basekamp’.

“Plausible Artworlds” is a project organized by Basekamp and Stephen Wright, and has been funded by The Pew Center for Arts & Heritage through the Philadelphia Exhibitions Initiative.

To learn more about Plausible Artworlds please visit: www.PlausibleArtworlds.org

exhibition

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TEH is a common typographical error and refers to a collaborative art and technology group with interests in research, displaced communication, simulation, nature/culture, and geography. TEH is currently examining weather as a shared experience/vocabulary, and presents this research through
installation and technologically mediated experience.

TEH plot is a Summer Scene in Boston and includes: cicadas, fresh cut grass, Meatballs, and responsive lighting… amongst other components.

December 18 - January 22
Phillip Andrew Lewis, Adam Trowbridge, and Jessica Westbrook

Artists’ Reception / Talk : December 19 / 5:30 to 8:00pm

FPAC Gallery
300 Summer Street M1
Boston, MA 02210
Hours: Mondays - Wednesdays 9AM-3:30PM, Thursdays-Fridays 9AM-10PM, Saturdays 5PM-10PM.

performance web
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On December 15, 2009 at 9:30 pm Central, Upgrade Tennessee! will present an online vj performance by Alessandro Imperato.

Find a link to the live stream at www.TERMINALapsu.org.

Alessandro Imperato is an English born digital artist and theorist in the social history of art and media theory. His imagery draws heavily on Brechtian strategies of ‘making strange’ settled meanings and narratives by jarring juxtaposition of potent signs. His work is particularly concerned with international military conflict in the post-Cold War and the increasing political contexts of cultural repression and regulation.

Alessandro’s practice as a cultural producer can be described as being digital media montage. The artwork is intended to make sense of the mediations between reality and its representations. He aims to contribute towards a strategy of critically re-coding the post-war dualism between abstraction and figuration.

He regards art to be an important aspect of political and ideological struggle, in which realism and art’s critical relationship towards society involves an adequate re-description of present lived conditions. One of his aims is to contribute towards a Critical Realist aesthetic and to develop an adequate signifying practice that can take account of the various changing areas of political and cultural struggles. Revealing the social conflicts inherent in art and the media can expose the construction of myths of artistic autonomy and reveal artifacts as sites of political struggle. Alessandro is not interested in the invention of a private language, but in using the signs, forms and images of society to subvert and transform their meanings in order to reveal the myths and ideological distortions of cultural representations.

Alessandro is a founder member of the Medeology Collective.

www.alessandroimperato.com